New York

Engine Room Audio

  • 42 Broadway
  • 22nd Floor
  • New York New York 10004
  • Website

The Scoop

Engine Room Audio is a high end penthouse recording facility located in lower Manhattan. We offer recording, mixing and mastering services in state-of-the-art rooms. We also offer CD & DVD manufacturing services that work with an in-house graphic design department, making us the facility for all your audio and production needs.

ROOM RATES with ENGINEER (hourly): Contact for Rates
Clients/Credits: 50 Cent, Ryan Leslie, Soulja Boy, Cloudeater, Ness, Lloyd Banks, Raekwon, The Cool Kids, Matt + Kim, Soulja Boy, + Andrew W.K., Wakey! Wakey!, O.K. Go, Luke Wesley, April Smith, Depeche Mode, Keri Hilson, Trey Songz, The Ting Tings, Hank & Cupcakes, The Shins, MIKA, Club Dogo, Jasmine V, Boyfrndz, Ohio Sky, The Weeks
Key Staff / In-House or Associated Talent: Mark B. Christensen, Scott Lee
Special Features: SSL Console, Studer 24-track machine, in-house mastering, in-house duplication, pool table, Concert Grand Piano, Dedicated Mastering Studio


Consoles, DAWs, Tape Machines: SSL 4000 G+ (64 Inputs) with Total Recall and Ultimation, Pro Tools HD3, Studer 2" 24 track (A80, MK IV)
Outboard Gear: Altec V1567, API 550a (4), API 560b (2), Avalon 737, Avalon 747, Chandler Limited Geranium, Chandler LTD1, Chandler LTD2, Daking 52270 (2), DBX 160, DBX 165A (3), DBX 166, Drawmer Dual Noise Gates, Dual MP (Stereo), Dual MP (Stereo), Emtek EL8 Distressors (2), Groove Tube Vari-X EQ, Khan 2242 Dual Mono Pre, Manley "Electro-Opto" Stereo Comp, Manley Vari-Mu, Neve 1073 Mic Pres (4), Neve 1272 (8), Pro VLA Stereo (2), Summit Audio, Telefunken V72, Universal Audio 1176 Limiters (4), Universal Audio Teletronix LA2A, Urie LA3A (2), Vintech Audio X73, Aphex Aurel Exciter, Eventide Prime Time, Orban Dual Spring Reverb, Midiverb II, Midiverb IV, PCM 41, PCM 42, PCM 70, Sans Amp, TC Electronics System 6000
Microphones: AKG 452, AKG 460, AKG 414 (6), AKG C12 (2), AKG Pro 37R (2), AKG 330 BT, AKG D112 (2), Audio-Technica ATM41a, Beyer MKII, Beyer M160 (2), Beyer M260, Cascade Fathead 2 Ribbon Mics (4), Coles 4038 Ribbon (2), Crowley & Tripp Naked Eye Ribbon, EV ND868, EV RE20, Manley Cardioid Reference Microtech Geffel Tube UM92, Neumann U87 (2), Neumann U47 FET (2), Neumann KM 140 (2), Neumann KMS105, Neumann TLM 103, Oktava Cardioid Cond. (w/Mods) (4), PZM (3), Rode NTV Tube (2), Royer 121 Ribbon Mics (3), Schoeps CMC5 w/ MK4 capsules (4), Sennheiser 421’s (7), Sennheiser 441 (2), Shure SM7 (2), Shure SM57 (4), Shure SM58 (3), Shure 520 DX “Green Bullet”, Shure Beta 58a, Shure Beta 57a, Shure Beta 56, Shure Beta 58, Telefunken Elam 251
Monitoring: Dynaudio M3 Main Monitors w/ Custom Bag End Stereo Subwoofer System, Dynaudio BM15 Near Field Monitors, Genelec 1031A Near Field Monitors, KRK V8 Near Field Monitors, Yamaha NS-10 Near Field Monitors
Instruments & Amps: Fender Twin, JCM 800 Marshall, Mesa Combo Amp, Mesa Dual Amp, Roland JC 120, Sabian Cymbals, SWR Bass Head and Cabinet Unlimited Stands, Monitors, etc., Various Keyboards, Vintage Tama Maple Shell Kit, Vintage Fender Champ Vox AC-30, Yamaha Concert Grand