New York


  • 46 5th Avenue
  • Brooklyn NY 11217
  • Website

The Scoop

GödelString is a full function, three-studio music production facility with the capabilities to do pretty much anything one would want to do with sound. Studio A's tracking room features two iso booths and space for up to a 10 ten-piece ensemble, while Studios B and C function as day-to-day production suites for records and music for TV/Film.

ROOM RATES with ENGINEER (hourly): $40-60, $60-80,
Clients/Credits: Zach Williams, Clogs, Bela Fleck, Forró in the Dark, Julia Haltigan, Colin McGrath, Team Robspierre, Gerald Menke, Dan Zanes, JUSTADUO, Julz-A, Joel Harrison, Jimmy Sweet, Jojo Kuo, "Favela Rising", “Going Home", HBO, "Planet BBoy", "Jesus Camp", "Manda Bala", Kim Jong Illia
Key Staff / In-House or Associated Talent: Joel Hamburger, Zach McNees, Bryan Pugh, William Berlind
Special Features: Steinway Grand Piano, Custom Analog Gear


Consoles, DAWs, Tape Machines: Audient APS8024 36 channel analog console, Toft ATB console, Pro Tools HD3, Lynx Aurora 32 channel AD/DA, Logic Pro, Digital Performer, Otari MX80 2" 24-track, MCI JH-110B 1/4" 2-track, Tascam 38b 1/2" 8-track
Live Room Dimensions: Small: 350 sq ft or less,
Outboard Gear: Avalon VT-737 sp, Avalon M2, CLM DB200, Telefunken v76, Telefunken v672, TNC Audio ACMP-73 mic pre and EQ (Neve 1073 clone), Empirical Labs Distressor, Universal Audio 1176, GodelString custom handmade 1176 clone, GodelString custom handmade LA-2A clone , GodelString custom handmade Pultec EQP-1, Thermionic Culture Phoenix Variable-Mu compressor, Summit Audio DCL-200 tube compressor, DBX 166A compressor (4 channels), API 560 EQ, CLM Expounder DB500s Dynamic EQ, EMT 140-TS plate reverb, Lexicon PCM91, TC Electronic M2000, Lexicon PCM42, Brent Averill 1272 mic pre / DI, Avalon U5 mic pre / DI, Electro-Harmonix Deluxe Memory Man, Roland Space Echo, Fulltone Ultimate Overdrive, Fulltone Super Trem, Tech21 XXL Distortion, Electro-Harmonix Voice Box
Microphones: AEA R84 (2), AKG C414 BULS (2), AKG Solid Tube, AKG 451, AKG D112 (2), Audix UEM 81 Shotgun, Avantone CV-88 small diaphragm tube condenser (2), CAD NDM10 (2), CAD NDM11, Coles 4038 Studio Ribbon (2), Electro Voice ND257, Electro Voice ND267 (2), Manley Reference Cardiod tube (U47 clone), Neumann KM184 (2), Neumann U87ai (2), Neumann TLM 103, Oktava ML52-02 ribbon (2), Sennheiser 421 (3), Sennheiser MD409, Sennheiser e385 (3), Shure KSM27 (2), Shure KSM44, Shure SM7, Shure SM57 (6)
Monitoring: Dynaudio BM5A, Yamaha NS-10
Software: Pro Tools, Logic 8, Digital Performer 6
Instruments & Amps: Steinway & Sons Model L Living Room Grand (5’11?), Wurlitzer EP200A, Wurlitzer Model 200, Rhodes 73 Suitcase, Rhodes Mark 1, 1959 Hammond A100 (B3 + reverb), Leslie 122, Hohner D6 clavinet, Roland Juno 106, Hohner Melodica, Excelsior Chordette organ, Moog Voyager, Access Virus C, Electro-Harmonix Bass Micro Synthesizer, Manikin Electric Memotron, Fender Telecaster Deluxe, Gibson Les Paul Jr. Melody Maker, Strings and Things Custom Strat, Fender Precision bass, Fender FM-53S mandolin, Fender Twin Reverb, Fender Hot Rod Deville 2×12, Roland Jazz Chorus 120, David Eden “Traveler” bass head, Aguilar GS212 bass cab, Vox AC30, Marshall JCM 2000