New York

Great City Productions

  • 122 W 26th St
  • Suite 903
  • New York NY 10001
  • Website

The Scoop

Great City Productions is a boutique audio facility located in the heart of Manhattan’s Chelsea district. Chief engineers Britt Myers and Ian Stynes bring a wealth of knowledge from a wide array of projects to all things audio - from music production and composition to film and television sound design and mixing.

Clients/Credits: Yeasayer ("Odd Blood"), Chairlift ("Does You Inspire You"), Suzanne Vega ("Beauty and Crime"), The Essex Green, John Phillips, Robbers on High Street ("Fatalist and Friends"), Mates of State ("All Day" EP), Songs for Tibet, Palomar ("All Things, Forest"), Pela ("Anytown Graffitti"); HBO ("In Treatment"), MTV, Spike TV, Rockstar Games ("Grand Theft Auto"), Target, Cartoon Network ("Superjail," "Venture Brothers"), Coca-Cola, Comedy Central ("Golden Age"), MTV2, An Inconvenient Truth,
Key Staff / In-House or Associated Talent: Britt Myers, Ian Stynes, Jay Culliton
Special Features: ISDN capabilities throughout the facility, live tracking room features four isolation spaces, Foley pits, SSL Console, Synths


Consoles, DAWs, Tape Machines: SSL Duality, Digidesign Icon D-Control ES, Digidesign Icon D-Command, Pro Tools HD3 Accel, Apple Logic
Live Room Dimensions: Medium: 351 – 750 sq ft,
Outboard Gear: Chandler TG1 compressor, Chandler Germanium compressor, Chandler Germanium EQ, Empirical Labs stereo Distressor w/ British Mod compressor (2), Pendulum Audio Quartet II tube preamp/EQ/compressor, Neve 33609 stereo compressor, Universal Audio LA2A (2), Universal Audio 1176 (2), Manley Vari-Mu stereo compressor, API stereo buss compressor, Vintech X73 preamp/EQ, SPL Transient Designer stereo dynamic processor, DW Fearn VT-1 tube preamp, Lexicon PCM42, SansAmp PSA 1.1 (2), Chandler EMI TG Channel MKII preamp/EQ (2), Yamaha SPX2000 multi-FX, Bricasti Model 7 reverb (2), Eventide Eclipse multi-FX, TC Electronic D2 delay, Fulltone Tape Echo, Bricasti Model-10 Remote Control, API Lunchbox, 512c Mic/Line Pre (2), 550a 3-Band EQ (2), ELI DeRessor (2), API Lunchbox, Buzzaudio Compressor (2), Standard Level-OR (2), Moog 12-stage Phaser MF-103, Moog Analog Delay MF-1042, Moog Low-Pass Filter MF-101, Moog Ring Modulator MF-102, Moog Freq Box MF-107, Eventide Pitch Factor, Eventide Mod Factor, Eventide Time Factor, AKG BX10 Spring Reverb, TC Electronic Reverb 4000
Microphones: Neumann U47, Neumann U87, Neumann TLM-103, Brauner Valvet tube mic, Schoeps CMC-6 condenser mic w/ MK-4 capsule, Coles 4038 ribbon mic, Royer 122 ribbon mic (2), Sennheiser 421 (4), Sennheiser MKH 416 shotgun mic, Shure SM-57 (6), SM-58 (3), Shure Beta-52, AKG D-112, AKG 414 condenser mic (stereo matched pair), EV RE20, AKG D17, AKG C61 diaphragm tube mic (2), OKTAVA MC-012 condenser mic (2)
Monitoring: K&H 0300 studio reference monitors, K&H 0100 studio reference monitors, K&H 0800 subwoofer
Software: Ableton Live, Apple Logic Pro, Reason, Soundminer, Waves, URS
Instruments & Amps: 1969 Blonde Fender Telecaster Original, Fender Telecaster ’72 Style Thinline (American), 1965 Gibson ES-330 Hollowbody Original, Gibson Hummingbird (Historical Collection Limited Reissue), Gibson Les Paul Studio Guitar, Rickenbacker 360/12 12 String Electric, Taylor Acoustic 714-CE, Vox AC30 Hand Wired 2×12 Limited Edition, Fender Deluxe Reverb 1967 Silverface w/ Blackface Circuit, Fender Vibro-Champ 1965 Blackface, Epiphone Century 50s Tube Amp, Gibson Goldtone GA-30RV Tube Amp, Gibson Skylark with Tremolo Tube Amp, Vox Tonebender Vintage Distortion, Electro Harmonix Big Muff Vintage Distortion, Maxon OD-9 Distortion (like Tube Screamer), SansAmp Classic Pedal, Wurlitzer 200A, Clavia Nord Electro Keyboard, Clavia Nord Lead 3 Keyboard, Moog Voyager-R Analog Synth, Moog Little Phatty Analog Synth, Roland Fantom-R Synth, Sequential Circuits Prophet 600 Vintage Synth